AnujalikaVisual artist

Visual threads

Each thread follows one concern across series, years and materials.

01The body as archiveFiguring it out, Oil on canvas, 2018, by Anujalika. A red anatomical heart rests on top of a blue ladder leaning against an empty frame; an orange cat sits on a lilac block below, against a pale green ground.Feminity (five states), Mixed media on paper, 2023–2024, by Anujalika. Five small works: a pencil profile beneath a cloud labelled La Pluie with red stitched rain; and four knitted or crocheted forms in red, white, blue and green wool mounted on grey paper.Les mouvements de la ville I, Work on paper, 2026, by Anujalika. Les pieds en rapidité à ParisFragments of bodies and suspended gestures reveal the traces of collective experience within the individual form.02Structures that holdFiguring it out, Oil on canvas, 2018, by Anujalika. A red anatomical heart rests on top of a blue ladder leaning against an empty frame; an orange cat sits on a lilac block below, against a pale green ground.Namaste Tour Eiffel, Mixed media, 2021, by Anujalika. Two canvases side by side, poured in blue, turquoise and gold, with a black line drawing of the Eiffel Tower crossing the seam; skeins of red, orange and mustard wool lie in front.I am soil II, Work on paper, 2026, by Anujalika.Objects and architectural motifs act as symbolic mediators and condense implicit narratives.03Roots, seeds, soilRoots I, Mixed media, 2019, by Anujalika. A teal and yellow-green poured ground; on the right, a semicircle of fine black architectural line drawing from which a root-like black line escapes.Yatra, by Anujalika. A flame-like form stitched in orange, yellow, red and grey wool on grey card, with lines of small dark stitches radiating outward; a pink label reads Yatra.I am soil II, Work on paper, 2026, by Anujalika.Roots become, here, a metaphor for memory in circulation.04Matter in transformationImmersive I–II, Enamel on canvas, 2019, by Anujalika. A horizontal enamel pour in turquoise, teal and white with dark red veins, the pigment flowing diagonally like a current.Feminity (five states), Mixed media on paper, 2023–2024, by Anujalika. Five small works: a pencil profile beneath a cloud labelled La Pluie with red stitched rain; and four knitted or crocheted forms in red, white, blue and green wool mounted on grey paper.Hibiscus, Mixed media relief, 2026, by Anujalika. A round panel with a thick purple, pink and gold relief resembling a flower.Materiality becomes central. The textures translate states of transformation.