AnujalikaVisual artist
FR

Visual threads

Each thread follows one concern across series, years and materials.

01The body as archiveFiguring it out, Oil on canvas, 2018, by Anujalika. A red anatomical heart rests on top of a blue ladder leaning against an empty frame; an orange cat sits on a lilac block below, against a pale green ground.Femininity (five states), Mixed media on paper, 2023–2024, by Anujalika. Five small works: a pencil profile beneath a cloud labelled La Pluie with red stitched rain; and four knitted or crocheted forms in red, white, blue and green wool mounted on grey card.Untitled (feet), Work on paper, 2026, by Anujalika. Two feet painted in gold on a blue ground.Fragments of bodies and suspended gestures reveal the traces of collective experience within the individual form.02Structures that holdFiguring it out, Oil on canvas, 2018, by Anujalika. A red anatomical heart rests on top of a blue ladder leaning against an empty frame; an orange cat sits on a lilac block below, against a pale green ground.Namaste Tour Eiffel, by Anujalika. Two canvases side by side, poured in blue, turquoise and gold, with a black line drawing of the Eiffel Tower crossing the seam; skeins of red, orange and mustard wool lie in front.Untitled (figure with roots), Work on paper, 2026, by Anujalika. A framed drawing of a green figure whose head is a tree and whose legs become blue and white roots.Objects and architectural motifs act as symbolic mediators and condense implicit narratives.03Roots, seeds, soilRoots I, Mixed media, 2019, by Anujalika. A teal and yellow-green poured ground; on the right, a semicircle of fine black architectural line drawing from which a root-like black line escapes.Yatra, by Anujalika. A flame-like form stitched in orange, yellow, red and grey wool on grey card, with lines of small dark stitches radiating outward; a pink label reads Yatra.Untitled (figure with roots), Work on paper, 2026, by Anujalika. A framed drawing of a green figure whose head is a tree and whose legs become blue and white roots.Roots become, here, a metaphor for memory in circulation.04Matter in transformationImmersive I–II, Enamel on canvas, 2019, by Anujalika. A horizontal enamel pour in turquoise, teal and white with dark red veins, the pigment flowing diagonally like a current.Femininity (five states), Mixed media on paper, 2023–2024, by Anujalika. Five small works: a pencil profile beneath a cloud labelled La Pluie with red stitched rain; and four knitted or crocheted forms in red, white, blue and green wool mounted on grey card.Hibiscus, Mixed media relief, 2026, by Anujalika. A round panel with a thick purple, pink and gold relief resembling a flower.Materiality becomes central. The textures translate states of transformation.